BRITISH Machines Part 1; BRITISH Machines Part 2; BRADBURY & Co. BRITANNIA SEWING MACHINE COMPANY; BRITISH SEWING MACHINE COMPANY Ltd; ECLIPSE MACHINE COMPANY; ESSEX; GRAIN E. IMPERIAL SEWING MACHINE CO. DATING JONES; Jones Decals Chronology; Jones HS Machines (High Speed) Jones Labelled Machines; Jones. Domestic Sewing Machine Serial Numbers: Brother Sewing Machine Ls 30: Wimbledon Sewing Machine Shop. Domestic Sewing Machine Serial Numbers sewing machine A sewing machine is a textile machine used to stitch fabric,paper,card and other material together with thread. Beige/tan machines were produced at Clydebank and at St John’s, Canada White/Green machines were produced only at Clydebank. The Singer Featherweight portable sewing machine is a model made by that company between 1933 and 1964.
Of all the sewing essentials that you have in your sewing room, a sewing machine is one of the most important. You use it to transform all types of sewing fabric, like chenille, denim and chambray, fleece, jacquard – or any other fabric you are working with – into beautiful works of art.
While you probably complete most of your sewing with an electronic sewing machine, there’s something to be said about a vintage machine. Whether it’s been in your family for generations or you scored it at an antique shop, there’s no doubt that you’re interested in identifying your vintage machine. With the following tips, you’ll be able to date your vintage sewing machine to find out a bit about the history of that beautiful piece of machinery.
Locate the Sewing Machine Serial Number
All sewing machines – even vintage models – have serial numbers imprinted on them. Usually, the serial number is located somewhere on small plate on the front panel of the machine. Once you have located the serial number, jot them down.
Do Some Research
Now that you have the serial number, you can dive into the history of the machine by doing a little bit of research. There are plenty of places that offer sewing help, including assistance with identifying a vintage sewing machine. In fact, you can even find charts online, or you could ask a local seamstress for some input. Another option is to speak to someone that specializes in antiques. Older sewing machines, particularly Singer sewing machines, are extremely valuable and many people who have interest in antiques will likely have some knowledge about the history of these machines.
Assess the Accessories
If, for some reason, you cannot locate the serial number of the sewing machine, or if you are having a hard time finding information about the serial number, the accessories can serve as clues to the age of the machine. For example, determine if it’s a manual or an electric sewing machine. True vintage sewing machines were manual, and as such, they will not feature any electrical mechanisms; therefore, if the machine in question does not have any electrical parts, there’s a good chance that it’s been around for a while.
Take a look to see if the sewing machine features a hand crank mechanism and a foot pedal; if it does, that definitely means that it is manual and therefore, vintage. The hand crank mechanism and the foot pedal are what were used operate and guide the needle. The materials that the sewing machine is made of can also give you some insight into its age; for example, vintage sewing machines were often made of cast iron and other highly durable metals, as well as dense woods.
Summing It UpWhether it’s a family heirloom or something that you found at a flea market, a yard sale, or an antique shop, a vintage sewing machine is a wonderful thing to have. We recommend holding onto it for safe keeping; however, depending on the age and the history, it could be worth a good bit of money!
Standard Sewing Machine Company
- A machine with a mechanically driven needle for sewing or stitching cloth
- a textile machine used as a home appliance for sewing
- A sewing machine is a textile machine used to stitch fabric,paper,card and other material together with thread. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies.
- Any mechanical or electromechanical device used to stitch cloth or other material; normally uses two threads to form lock stitches
sewing machine
- A required or agreed level of quality or attainment
- An idea or thing used as a measure, norm, or model in comparative evaluations
- a basis for comparison; a reference point against which other things can be evaluated; “the schools comply with federal standards”; “they set the measure for all subsequent work”
- criterion: the ideal in terms of which something can be judged; “they live by the standards of their community”
- conforming to or constituting a standard of measurement or value; or of the usual or regularized or accepted kind; “windows of standard width”; “standard sizes”; “the standard fixtures”; “standard brands”; “standard operating procedure”
standard
- A person or people seen as a source of such friendship and enjoyment
- an institution created to conduct business; “he only invests in large well-established companies”; “he started the company in his garage”
- small military unit; usually two or three platoons
- The fact or condition of being with another or others, esp. in a way that provides friendship and enjoyment
- be a companion to somebody
company
322 West 85th Street House
Upper West Side, Manhattan, New York City, New York, United States
Situated on the south side of West 85th Street between West End Avenue and Riverside Drive, the distinctive three-story 322 West 85th Street House — one house in a row of six houses — was planned by the noted architect Clarence True and was constructed for speculator-builder Charles G. Judson in 1892, at a time when the blocks in the West Eighties between West End Avenue and Riverside Drive were first developed. The overall design composition of this house is part of the A-B-A-A-B-A facade pattern of the row, and the 322 West 85th Street House represents a refined example of the Italian Renaissance style adapted to the requirements of the American basement plan, popularized on the Upper West Side by the architect Clarence True. This facade is a well-conceived and finely executed design. Its spare and well-cut ornament demonstrate great respect for the inherent quality of its exterior fabric — Maynard red sandstone, light orange Roman brick, and red pantiles. Indeed, the polychromy of these materials is an essential element of the facade’s design. No. 322 West 85th Street has been changed very little since 1892 and retains much of its original ironwork and decorative door hardware.
The Development of the Upper West Side
The evolution of the present appearance of West 85th Street between West End Avenue and Riverside Drive is a reflection of the Upper West Side’s greater development pattern. Largely undeveloped until the 1880s, the area was known as 'Bloomingdale' prior to urbanization and was comprised of working farms in the eighteenth century and landed estates in the early nineteenth century. While included in the Commissioner’s Map of 1811, which platted a grid of avenues and streets in Manhattan as far north as 155th Street, the area remained essentially rural and most of the streets were not laid out until after the Civil War. The creation of Central Park beginning in 1857 contributed to the growth of the areas around the Park’s perimeter, but improved public transportation spurred the area’s sustained development onward. In particular, the Ninth Avenue (Colunibus Avenue) Elevated Railroad, completed in 1879 with stations at 72nd, 81st, 93rd, and 104th Streets, encouraged the area’s growth. However, the biggest boost to the development of the West End, the area west of Broadway, was the creation, between 1876 and 1900, of Riverside Drive and Park (now a designated New York City Scenic Landmark) north of 72nd Street. Following the Financial Panic of 1873, development proceeded slowly but by 1885 the Upper West Side had become the scene of the city’s most intense real estate speculation.
The evolution of the present appearance of West 85th Street between West End Avenue and Riverside Drive is a reflection of the Upper West Side’s greater development pattern. Largely undeveloped until the 1880s, the area was known as 'Bloomingdale' prior to urbanization and was comprised of working farms in the eighteenth century and landed estates in the early nineteenth century. While included in the Commissioner’s Map of 1811, which platted a grid of avenues and streets in Manhattan as far north as 155th Street, the area remained essentially rural and most of the streets were not laid out until after the Civil War. The creation of Central Park beginning in 1857 contributed to the growth of the areas around the Park’s perimeter, but improved public transportation spurred the area’s sustained development onward. In particular, the Ninth Avenue (Colunibus Avenue) Elevated Railroad, completed in 1879 with stations at 72nd, 81st, 93rd, and 104th Streets, encouraged the area’s growth. However, the biggest boost to the development of the West End, the area west of Broadway, was the creation, between 1876 and 1900, of Riverside Drive and Park (now a designated New York City Scenic Landmark) north of 72nd Street. Following the Financial Panic of 1873, development proceeded slowly but by 1885 the Upper West Side had become the scene of the city’s most intense real estate speculation.
The tract now including the westernmost blocks of West 85th Street, once a portion of the Oliver DeLancey farm which was conveyed to John H. Rowland in 1825, was not partitioned into lots until 1850. Subsequently, a parcel of four lots, each 25 by 100 feet, along West 85th Street’s south side (comprising lots 40 through 43) was sold twice, in 1872 and in 1887. This parcel corresponds to the row at 316 through 326 West 85th Street. It should be noted that this site is located on a gentle rise from West End Avenue west to Riverside Drive.
The Rowhouse and the Speculative Builder
The earliest Upper West Side rowhouse speculators owned the property on which the houses were constructed; Edward S. Clark, President of the Singer Sewing Machine Company, who commissioned Henry J. Hardenbergh to design the row at 41 to 49 West 73rd Street in 1879-80, has been cited as an example of this trend. The speculative builder followed close behind. Such a builder, often in concert with a property owner, would employ an architect with whom he often worked in partnership. Each received his share of the profit when the improved properties were sold. Charles G. Judson was listed as the owner at the time the New Building Application was filed for 322 West 85th Street and the other five houses in this row of six buildings — April 21, 1892. Judson’s architect for this commission, and for at least seven others, was Clarence True with whom he shared a business address at 102 West 82nd Street from 1892 until 1897.
A measure of how concentrated the development climate was throughout the city was the common practice among rowhouse developers of purchasing groups of lots and reconfiguring them, thus maximizing the number of houses within the row by building the houses narrower than the standard twenty-five foot lot. Judson subdivided these four lots on the south side of West 85th Street into six, each measuring sixteen feet, eight inches in width.
Standard Sewing Machine Company Serial Numbers
The Architect
Wilson Sewing Machine Serial Numbers
Born in Massachusetts, Clarence Fagan True (1860-1928) received his earliest professional experience in New York in the office of Richard Michel 1 Upjohn (1828-1903), son of Richard Upjohn (1802-1878), one of this country’s leading Gothic Revival architects. True began his architectural training in the Upjohn of
Sewing Machine
See Full List On Needlebar.org
Sewing machine Singer Featherweight machines were produced in black, beige/tan and white/green (what the company called Pale Turquoise) There were no red, blue or any other colour machines although many have been repainted in later life and new decals added Black 221 machines were produced at Elizabethport, New Jersey, and at Clydebank, Scotland. Beige/tan machines were produced at Clydebank and at St John’s, Canada White/Green machines were produced only at Clydebank. Date made 1941. The Singer Featherweight portable sewing machine is a model made by that company between 1933 and 1964. The machine (model 221), adapted from an earlier portable, the Standard SewHandy (which company was bought out by Singer) weighs about 11 pounds and has been found to be an ideal machine for quilters and other sewers to take to classes or 'on location.' Very quiet and sturdily made with all-metal parts (mostly aluminum), the Featherweight sews only straight stitches but it sews them very well. Even the oldest machines, if they’ve been cared for, still sew wonderfully.